竹简《诗论》在中国文学批评史上的地位与意义  

Status and Significance of Bamboo Slips “On Poetry” in the History of Chinese Literary Criticism

作　　者：陈斯鹏[1] 

机构地区：[1]复旦大学出土文献与古文字研究中心,上海200433

出　　处：《复旦学报（社会科学版）》2006年第6期65-73,共9页Fudan Journal（Social Sciences）

基　　金：2005年度中山大学文科青年教师项目"战国简帛文学文献整理与研究"的阶段性成果之一

摘　　要：本文试图在较为客观地把握竹简《诗论》诗学思想的基础上,将《诗论》置于一定的历史坐标中加以比较考察,来认识其在中国文学批评史上的地位和意义。文章认为,《诗论》是现存最早最完整的一篇诗学专论,是先秦文艺性诗歌评论的代表,同时也是中国文学批评若干重要思想的滥觞;通过与《毛诗序》的比较,可见《诗论》与《毛诗序》旨趣迥异,其文艺价值远胜于《毛诗序》,同时《诗论》也可能对《毛诗序》的形成有一定的影响。另外,文章还指出,《诗论》能为审视《毛诗序》历史公案提供若干有益的启示。This paper shows the status and significance of ＂On Poetry＂ in the history of Chinese literary criticism. It is considered as the oldest integrated Chinese poetics in existent documents, a representative of poetic criticism practice in pre-Qin, and also the origin of some important ideas in Chinese literary criticism. While ＂On Poetry＂ and the ＂preface＂ of Mao Poems are quite different in purport, the former has an advantage over the latter in literary significance, and probably it did have influence on the latter. This paper also discusses how to review the controversy about the ＂preface＂ with the enlightenment of ＂On Poetry＂.

关 键 词：竹简《诗论》 中国文学批评史 《毛诗序》孔子《诗经》 

分 类 号：I207.22[文学—中国文学] I206.09