清代文论对“韵”范畴的阐说  

Explanation of "Yun"(Rhyme) In the Literary Theory of the Qing Dynasty

作　　者：胡建次[1] 

机构地区：[1]南昌大学中文系,江西南昌330047

出　　处：《佛山科学技术学院学报（社会科学版）》2006年第6期1-5,共5页Journal of Foshan University(Social Science Edition)

摘　　要：清代文论对“韵”范畴的阐说,主要体现在两大领域:一是诗论中对“韵”范畴的阐说;二是词论中对“韵”范畴的阐说。其内容,主要表现在三个维面:一是对“韵”作为文学审美之本的标树,二是对“韵”审美特征的探讨,三是对“韵”的创造与生成的考察。清代文论对“韵”范畴的阐说,为我们今天更好地把握“韵”的审美范畴提供了平台。The explanation of the category of ＂Yun＂（rhyme） in the literary theory of the Qing Dynasty was mainly embodied in two fields： the explanation of the poetry theory and of the Ci- theory, its contents-were mainly embodied in three aspects： praising it as the poetry aesthetic root, probing its aesthetic characteristic, inspecting its creating and producing. The explaining of ＂Yun＂ in the literary theory of the Qing Dynasty provides a platform for us in understanding the aesthetic category of ＂Yun＂.

关 键 词：清代文论 “韵”范畴 维面 阐说 

分 类 号：I207.22[文学—中国文学]