从材料角度看漆艺的继承与创新  

On Succession and Innovation of Lacquer Arts in Terms of Materials

作　　者：汤志义[1] 

机构地区：[1]福建师范大学美术学院,福建福州350007

出　　处：《集美大学学报（哲学社会科学版）》2006年第4期106-109,共4页Journal of Jimei University：Philosophy and Social Sciences

摘　　要：中国是世界上最早使用漆液制作器物的国家,也是世界漆艺的发祥地。严格意义上的当代漆艺是建立在传统上的创造,它具有“原创性”。在古老的漆文化正在被人们重新衡量和认识的当下,对传统材料和技法的重拾、对新材料的挖掘和技法的创新与融会贯通,不仅可以改变漆艺术表现的美感形象,更能启发人们的艺术想象,改变艺术观念。China is the first country that applies lacquer to make wares, and also the cradle of lacquer arts of the world. Contemporary lacquer arts strictly observed are based on traditional ways＇ which endows it with ＂originality＂. In the days when the ancient culture of lacquer is reassessed, the review of the traditional materials and skills, the exploration of new materials and the innovation and digestion of skills will not only change the aesthetic image of lacquer arts, but stir people＇s artistic imagination and update artistic opinions as well.

关 键 词：漆艺 材料 可能性 创新 

分 类 号：J213.9[艺术—美术]