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作 者:胡志平[1]
机构地区:[1]武汉音乐学院
出 处:《黄钟(武汉音乐学院学报)》2007年第1期71-77,共7页Huangzhong:Journal of Wuhan Conservatory of Music
摘 要:论文曾在北京“2006民族管弦乐队训练与创作高层论坛”上宣讲,通过“从吹、拉、弹、打四类乐器中精选出的乐器组建成新型民族管弦乐队,并在此基础上进一步完善声部内高、中、低乐器建制是中国上下八千年来乐器及其演奏形式的实践发展到二十世纪的必然选择,也是中国大型民族管弦乐队的最佳选择;作曲家、指挥家、演奏家的知识结构、艺术素养由于缺失对中国传统乐器的乐器特性、演奏法、艺术意境创造手法的了解和精通,导致目前的新型民族管弦乐队本应具有的特性、魅力缺失“两个方面的分析论述,对新型民族管弦乐队的发展进行了深入的思考和探讨。The paper was read out in 2006 Workshop on Creation and Training of Chinese Traditional Orchestra in Beijing. The writer dissertated of two issues: chosen from four kinds of instruments, blowing, bowing, plucking, and percussion to organize a new Chinese traditional orchestra is the necessity and the best choice for the large-scale Chinese traditional orchestra. Those composers, directors, and players were short of knowing the features of the Chinese traditional instruments, playing method, which lead the new Chinese traditional orchestra less the characteristic and charming. He proposed his suggestion to developing the new Chinese traditional orchestra.
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