转型社会中的类型分化——20世纪30年代中国电影明星研究  

The Classification in Social Transformation——An Approach to the Chinese Film Stars of the 1930s

作　　者：钱春莲[1] 

机构地区：[1]华东师范大学传播学院,上海200062

出　　处：《上海大学学报（社会科学版）》2007年第1期136-140,共5页Journal of Shanghai University(Social Sciences Edition)

摘　　要：20世纪30年代的中国电影“明星”成为一种广泛流行、初具规模的社会现象和工业制度。本土“明星”承载起传播传统文化意识和时代精神状况的重要责任,并呈现出三种典型角色一是“悲剧明星”成为黑暗社会的控诉者。二是“左翼明星”成为人民大众的代言人。三是“有声明星”成为时代风尚的引领者。In the 1930s, the Chinese film ＂star＂ became a kind of social phenomenon and industry system, which spread extensively and began to take shape, Thus the native ＂star＂ assumed a heavy responsibility for communication of traditional culture and spirit of the times and was classified into the three kinds： first, the ＂tragedy star＂ as an accuser of the dark society; secondly, the ＂left-wing star＂ as a spokesman of the mass of people; thirdly, the ＂honoured star＂ as a leader of the prevailing custom of the times.

关 键 词：明星制度 左翼电影 类型分化 

分 类 号：J912[艺术—电影电视艺术]