琴键上的咏叹调——李斯特与歌剧改编曲  

Transcribing arias on the keyboard

作　　者：李莉 

出　　处：《歌剧》2007年第1期40-42,共3页Opera

摘　　要：炫技背后的改编曲 在音乐史上，音乐的改编曲并不鲜见，它有时甚至成了作曲家另一个重要的工作，有些乐曲的改编版甚至超越了原作。比如，柏辽兹用管弦乐队改编的韦伯钢琴曲《邀舞》、拉威尔改编的穆索尔斯基的《图画展览馆》、威廉密改编的巴赫的《G弦上的咏叹调》。Musical arrangements are very common within music history,and composers consider them an important part of their work.Occasionally,arrangements even supersede originals in quality.Among the operatic transcriptions and arrangements by Liszt were early romantic works by Rossini,Bellini,Donizetti,even Mozart and Liszt＇s contemporaries Verdi,Wagner,and Meyebeer.These transcriptions and arrangements were composed mainly for concert performances ,to show off the player＇s virtuosity.Among these works,the Wagner transcriptions became popular favorites among audiences and concert pianists…

关 键 词：《G弦上的咏叹调》 改编曲 李斯特 歌剧 琴键 穆索尔斯基 《邀舞》 管弦乐队 

分 类 号：J605[艺术—音乐]