言诞书奇与理真旨正——论二月河清帝系列小说对巫幻母题内涵开掘的文化意义  

Absurd and odd language,genuine and serious theme:On the cultural significance of the witchcraft motif in the historical novels by Eryue-he

作　　者：刘克[1] 

机构地区：[1]南阳师范学院汉文化研究中心,河南南阳473061

出　　处：《西北大学学报（哲学社会科学版）》2007年第1期67-73,共7页Journal of Northwest University：Philosophy and Social Sciences Edition

基　　金：河南省哲社规划重大项目:全球化语境下的本土化创作--二月河创作论(2001BZW002)

摘　　要：为了正确处理小说理论的创新问题和深入理解历史小说的价值,有必要对二月河清帝系列小说中巫幻母题所蕴涵的文化意义实施纵深开掘。从文艺学的视角来看,清帝系列小说中的巫蛊术、厌胜术和妖异之象描写,不光是营造了一种扑朔迷离、波谲云诡的阅读世界,更重要的是透露出了一种写作理念。这种写作理念,因为不具颠覆和嘲弄意味,所以并未成为小说主题和文本文化意义的消解因素,它是小说固有品性使然,是历史小说回归传统的表现。二月河建立在与艺术原点对接基础上的艺术创新,以及通过巫幻母题所表现出来的深致笔意、艺术向度和宗教旨趣,对于历史小说审美机制、艺术法则、历史逻辑的完善与建构具有重要意义。The study of the narration in historical novels has been always a difficult problem. The descriptions of the witchcraft and sorcery in the serial novels on the Emperors of the Qing Dynasty by Eryuehe, have not only created a bewildering reading world, but also embodied a writing concept. The writing concept does not become the deconstructive factors of the motif and the cultural significance of novels, because it does not deconstruct or mock. It is the embodiment of the intrinsic features of novels, and the retuming to tradition of the historical novels. Theoretically, the artistic innovation by Eryuehe, and the profound motif, the artistic dimension and the religious purport maintains significance in perfecting and constructing the aesthetic mechanism, artistic rules, and historical logic of historical novels.

关 键 词：二月河 巫术幻象 文化传统 文学叙事 

分 类 号：I207.4[文学—中国文学]