《“艳词”考》商榷  

Some Criticism on Some Criticism on "Flowery Words"

作　　者：符继成[1] 

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《中国文学研究》2007年第1期38-42,共5页Research of Chinese Literature

摘　　要：“艳”是汉、魏代相和大曲中的一个段落,后世所谓的“艳曲”则兴起于南朝,因此汉魏相和大曲中的“艳”不等于后世的“艳曲”,“艳”的歌词在内容特征上也不同于作为“艳曲”的歌词。“艳词”或指“艳丽的文辞”,或者内容上关涉男女情爱。隋唐时期文献中的“艳词”或“侧艳之词”内涵也是如此,并不存在由“题材内容十分宽广而丰富”的“艳曲歌词”向“艳情词”的历史演变。＂Yan＂ is a paragraph of the Han and Wei Dynasties＇ Xianghe Big Music ,but the so - called ＂Romatic Music＂ which was widely accepted in generations behind that is risen in the South Dynasty, so ＂Yan＂ of the Han and Wei Dynasties＇ Xianghe Big Music can not be equal to the ＂Romatic Music＂, and the lyrics of ＂Yan＂ also differ from the ＂Romantic Music＂ on characteristic of contents. ＂Flowery Words＂ indicate ＂ornate language of writing＂ or mean the contents concerning love affairs between men and women. Such is also the meaning of the ＂flowery words＂ and ＂words partial to ornamentation＂ （侧艳之词） in literatures of the Sui and Tang Dynasties. There is no historical evolution from ＂yan - song lyrics＂ which have ＂very broad and rich subject matter＂ to the ＂romantic Ci - poetry mainly concerning love affairn （艳情词）.

关 键 词：艳 艳曲 艳词 艳情词 

分 类 号：I207.23[文学—中国文学]