土家族哭嫁的传统意蕴与现代嬗变  

The Traditional National Implication and Modern Transmutation of Tujia Nationality Bride Crying

作　　者：冯智明[1] 李辉善[2] 

机构地区：[1]广西师范大学文学院,广西桂林541004 [2]广西师范大学校长办公室,广西桂林541004

出　　处：《怀化学院学报》2007年第1期31-32,共2页Journal of Huaihua University

摘　　要：哭嫁,是广泛流行于土家族地区的婚礼习俗,在土家族独特的土壤上产生、发展、衍变,具有深刻的民族文化意蕴。以女性为切入点,从文化功能的角度阐释了哭嫁的传统民族意蕴:宣泄之歌、“通过”之歌。哭嫁意蕴的现代嬗变主要表现在程式化趋向、娱乐性滋长及族群认同功能。Bride crying is a marriage custom widely spreading in areas of Tujia nationality.As developing on the unique soil of Tujia,deep cultural implication of nationality is accumulated.This text wants to explain the traditional national implication of bride crying in terms of women：the song of complain,the song of pass.The modern transmutation of bride crying dislays in the form of becoming more and more stylizing,recreational and the function of ethnic identity.

关 键 词：土家族 哭嫁 传统意蕴 现代嬗变 

分 类 号：I29[文学—中国文学]