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作 者:廖颖
出 处:《歌剧》2007年第3期26-28,共3页Opera
摘 要:“妈咪”的妈咪角色 去年8月的某个早晨,我与玛丽亚·卡妮奥瓦(Maria Kanyova)谈话,前一天夜里,她在眼镜歌剧院(Glimmerglass Opera)演出雅纳切克的《耶努发》。一整个夏天,舞台上的她是痛苦的耶奴发——戴着耶奴发亲手织的小红帽子的孩子尸体冻在结了冰的河里数月之久,在耶奴发婚礼的那一天浮了起来。卡妮奥瓦还演过蝴蝶夫人巧巧桑(Cio—Cio—San),可怜的她不想让孩子目睹母亲自杀而把孩子撵了出去。悲惨的母亲角色还有《修女安洁丽卡》(Suor Angelica),这个被关在修道院的女人被冷漠地告知她那从未谋面的孩子的死讯。Life is tough for the opera singer. Before Maria Kanyova arrived at Cooperstown in last June, she had already sung a run of Don Pasquale in West Palm Beach, played in Die Entführung aus dem Serail in Denver and Nixon in China in Chicago. Is that the life young singers strife for?"I look back on it now and I think, ‘Oh my God, did I do all that? That's insane.' But I kind of like to be busy. And even with the chaotic life that we have now, traveling with two children, we have a kind of mantra that says we'll live one day at a time, enjoy the moment, because the kids grow up so fast. So with all the craziness of those four productions happening all at once, we take a lot of time to sit and enjoy the kids. When you look back on it, it sounds kind of crazy, but when it's happening it isn't quite as crazy as it seems, because of that concentration. It just takes a great deal of organization in order to get the jobs done and the roles learned-and to really say,‘When I'm home, I'm home', and then it doesn't seem as frantic."
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