论中国历史题材电视剧的史诗品格  

On Epic Character of Historical Teleplays in China

作　　者：杜莹杰[1] 

机构地区：[1]中国传媒大学影视艺术学院,北京100024

出　　处：《重庆邮电大学学报（社会科学版）》2007年第1期99-103,共5页Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)

摘　　要：中国历史题材电视剧以浓郁的史诗品格,为本民族树立起时代艺术的纪念碑。它以第三人称“全知视角”为叙事的主导视角,于宏大叙事中塑造了民族史诗英雄群像,它所蕴含的悲剧意识、崇高格调,达到了历史和审美的双重超越,显示出高超的审美品位和艺术追求。With the strong epic character, the Chinese historical teleplays erect the modern artistic monument of our nation. Taking the ＂omniscient point of view＂ of the third person as dominant perspective, it shapes a group of national heroic sculptures in its magnificent narration. The tragic consciousness and sublime pattern that it contains achieved historical and aesthetic dual surmounting, displaying lofty aesthetic taste and artistic pursuit.

关 键 词：历史题材 电视剧 第三人称 英雄群像 史诗品格 

分 类 号：J905[艺术—电影电视艺术]