从潼川诗人用韵“歌”、“豪”通押看宋代四川方言  

An analysis of the Sichuan dialect from the contaction between Ge(歌) and Hao(豪) in the rhyming system of Tongchuan(潼川) in the Song Dynasty

作　　者：钱毅[1] 邢芙蓉[1] 

机构地区：[1]扬州大学文学院,江苏扬州225002

出　　处：《成都理工大学学报（社会科学版）》2007年第1期97-100,共4页Journal of Chengdu University of Technology:Social Sciences

摘　　要：宋代四川潼川诗人用韵中有歌豪通押现象,这可能是宋代潼川诗人本土方言语音的自然流露。学术界普遍认为现代四川话形成于元明以后,它从属于西南官话,是北方话在西南的变体。这种观点表明元明以前的宋代是四川话发展的一个重要转折期。宋代潼川诗韵中歌豪通押的事实就为上述观点提供了一个有力的证据,其对四川方言历史层次的研究意义重大。In the poets from Tongchuan（潼川）in the Song dynasty , category Ge（歌）contacts with category Hao（豪）, This phenomenon is reflection of the real pronunciation at that time. The dialect in Sichuan is generally considered to subordinate to the southwest dialect in China and is the south-west variant in the north in the academic circle. And it came into being in the Yuan and Ming Dynasty. This view shows the Song Dynasty is an important and crucial developing period in Sichuan. Before the Song Dynasty Sichuan dialect had completely gone. The facts that category Ge（歌）contacts with category Hao（豪） in the poets from Tongchuan（潼川）in the Song dynasty ,provided a strong evidence to the above viewpoint. The fact is of great significance to the research in the history of the Sichuan dialect.

关 键 词：宋代 潼川诗人 韵系 歌豪通押 四川方言 

分 类 号：H172.3[语言文字—汉语]