两浙人文传统:中国新文学巨匠茅盾的内源性文化承传  

Heritage of Humanity in Zhejiang:On Mao Dun's Inheriting and Transmitting of Traditional Chinese Culture

作　　者：王嘉良[1] 

机构地区：[1]浙江师范大学人文学院,浙江金华321004

出　　处：《浙江师范大学学报（社会科学版）》2007年第1期1-7,共7页Journal of Zhejiang Normal University(Social Sciences)

基　　金：国家社会科学基金项目(05BZW043)

摘　　要：探究中国新文学巨匠茅盾独特的文学/文化思想和文学创作风格的形成,可以追溯到其勇于接纳近代世界文化新潮这个外源性因素,但承传中国传统文化这个内源性因素也不容忽视。就继承传统而言,从两浙文化圈中走出的茅盾,其最初的文化接受便是两浙人文传统。这可从青年茅盾接受维新文化思潮影响、深厚的国学积累及其创作中烙刻的显著的浙西“水性”文化印记中得到印证。A probe into how Mao Dun, one of the masters of new Chinese literature, formed his distinctive literary/cultural thoughts and his literary style, can reveal the external factors such as his courage to accept the modern cultural thoughts in the world ; but the internal factors concerning his inheritance of traditional Chinese culture should not be neglected. As far as the latter is concerned, Mao who was brought up in the literati in Zhejiang received his earliest cultural baptism from the humanity heritage of the area. This is evident, judging from Mao＇ s accepting of the Neo-cultural thoughts in his early years, his command of traditional Chinese learning, and many of his works that are marked by the ＂water-based＂ culture in west Zhejiang.

关 键 词：茅盾 文化承传 两浙人文传统 

分 类 号：I206.6[文学—中国文学]