金庸小说中的山洞意象  

Cave Images in Jinyong's Novels

作　　者：赵言领[1] 

机构地区：[1]衢州学院教育系,浙江衢州324000

出　　处：《西北农林科技大学学报（社会科学版）》2007年第2期127-130,共4页Journal of Northwest A&F University(Social Science Edition)

摘　　要：金庸小说中存在着大量的山洞意象。对于金庸小说,山洞首先具有一种叙事意义,并通过小说主人公侠客的生命和武功两个重要方面得以具体呈现。山洞的第二重意义是对小说读者的娱乐意义,它是构成审美快感的常用叙事元素。在深层次上,山洞其实是一种道德隐喻,借助小说中作为正义化身的侠客传达出善有善报的道德训诫。在更深层次上,山洞作为道家文化的典型象征符号,是为了解决儒家道德精神对侠客身心的双重伤害而广泛存在于小说文本的。In Jinyong＇s novels there are massive cave images. To Jin Yong＇s novels, the caves have a kind of narration meaning at first, which can present specifically through two important respects including life of the chivalrous protagonists of the novels and acrobatic skill of that. The second meaning of the cayes is a kind of amusement meaning to reader, for they are common narrative elements to constitute esthetic pleasant sensation. At profound level, the caves are actually a kind of moral metaphor, expressing the morals that good is rewarded with good through the chivalrous persons as the just incarnation in the novels. When being deeper, the caves,as the typical symbol of Taoist culture, exist widely in the novels in order to treat double injury to body and mind of chivalrous persons from the confucian moral spirits.

关 键 词：金庸小说 山洞 道德隐喻 道家文化 象征符号 

分 类 号：I248[文学—中国文学]