论吕天成《曲品》之“境”  

On Lu Tiancheng's “Artistic Conception” in Qu Pin

作　　者：耿祥伟[1] 

机构地区：[1]华南师范大学文学院,广州510006

出　　处：《宜宾学院学报》2007年第1期9-12,共4页Journal of Yibin University

摘　　要：吕天成《曲品》之“境”,由于受传统诗学“意境”理论的影响,仍体现为情与景、意与境的统一。但运用于戏曲领域,充分考虑到戏曲的叙事性质,因此,吕氏之“境”,其涵义又包含了一些新的因素。但不能因此就说吕氏之“境”就是一种成熟的戏曲“境界”理论,这从版本学的角度也可以得以充分的说明。The ＂artistic conception＂ of Lu Tiancheng＇ s Qu Pin is influenced by the ＂artistic conception ＂ theory in the traditional poetry and is still identified into merging of not only emotion and scenery, but thought and artistic conception. In the drama domain, fully considering the drama＇ s narrative nature, Mr. Lu enables his ＂artistic conception＂ to contain some new factors. This certainly does not mean that Mr. Lu＇ s ＂artistic conception＂ is one kind of mature drama ＂artistic conception＂ theory because it also can be fully explained from the edition of Mr. Lu＇ s Qu Pin.

关 键 词：吕天成《曲品》 戏曲 境 境界 

分 类 号：I207.37[文学—中国文学]