浅论《论语》中的美学精神  

On the Aesthetics Spirit in Analects of Confucius

作　　者：黄万获[1] 

机构地区：[1]广西师范大学文学院,广西桂林541004

出　　处：《西昌学院学报（社会科学版）》2007年第1期42-45,共4页Journal of Xichang University：Social Science Edition

摘　　要：《论语》中的审美艺术观是一种主足于人,以人为核心的精神。它体现了一种审美艺术和与人紧密联系的人文观念,是一种以关怀人为终极目的的人文理想。同时,《论语》美学思想揭示了艺术创造的一般规律,体现了对艺术性和艺术规律的追求,体现了对艺术理想的追求,是一种超越现实与人生的艺术回归。《论语》中的美学精神在儒家美学中的地位是非常突出的,是奠基性的,它应该成为我们建构现代中国美学的重要理论资源。In Analects of Confucious the aesthetics is a kind of spirit on the lasis of human beings and taking them as the core, which embodies a humanistic idea combining the aesthetic art closely with the human beings and a humanistic ideal with the ultimate purpose of concerning with people. Meanwhile, the aesthetic thonght in the work has revealed the regularity of art creation, emlodied the pursuit of the art character, the art regularity and the art ideal, and is an artistic return to exceed the social reality and life. The aesthetic spirit in Analects of Confucious is prominent in Confucian aesthetics and should be regarded as the important theoretical resource to construct modern Chinese aesthetics.

关 键 词：《论语》 入文理想 艺术理想 

分 类 号：I206.2[文学—中国文学]