论理学影响下南宋诗坛的两种美学倾向  

On the Two Aesthetic Tendencies of the Poetry in the Nan Song Dynasty Under the Influence of Neo-Confucianism

作　　者：孔妮妮 

机构地区：[1]上海教育出版社,上海市200031

出　　处：《江西科技师范学院学报》2006年第6期55-59,共5页Journal of Nanchang Vocational & Technical Techers' College

摘　　要：经历了南渡初年烽火岁月后,理学思想再次占据了学术论坛的重要地位,其学术观点和文学创作主张对南宋诗坛产生了深远影响。在理学思想的影响下,“经典”化的晚唐诗风和“陶、韦”诗风被逐渐打造为最符合理学家审美理念的,直承《诗经》的诗歌经典范式,而诗歌创作中的含蓄蕴籍和萧散冲淡便成为理学影响下南宋诗坛的两大美学旨归。Neo-Confucianism again held a vital position in the academic world after the war in the initial years of the Nan Song Dynasty. Its academic perspectives and literature creation had a far-reaching impact on the poetry circle at that time. Under its influence, the classical poetic style in the late Tang Dynasty and the style of Tao Yuanming and Wei Suzhou was regarded as classical poetic model inherited directly from the Book of Odes. While the reservation and the elegance in the poetry creation became the two aesthetic standards in the Nan Song Dynasty.

关 键 词：理学熔铸 含蓄蕴籍 萧散冲淡 

分 类 号：I207.22[文学—中国文学]