茅盾前期小说理论批评综论  

A comprehensive discuss on Mao Dun's early novel theories and criticisms

作　　者：李兴阳[1] 

机构地区：[1]湖北师范学院中文系,湖北黄石435002

出　　处：《湖北师范学院学报（哲学社会科学版）》2007年第2期14-19,共6页Journal of Hubei Normal University（Philosophy and Social Science）

基　　金：湖北省教育厅项目<中国现代文学社会团流派理论批评史论>;编号为2004d244

摘　　要：茅盾前期小说理论批评的核心是现实主义,有着明确的社会功利主义价值取向,其“为人生”的小说观念在不同的历史时期有宽与窄的变化,而以窄化为总的演进趋向;其小说“技术的理论”以三分法为基本构架,建构小说形态理论,而以“真实”、“典型”为指归;其“有意为之”的小说创作论,推崇社会学式的理性分析。这些方面共同形成了一种系统的“茅盾的文学思想”。The core of Mao Dun＇s early fiction theories is realism. Has an explicit trend of social utilitarianism, his idea of literature ＂for life＂ changed from wide to narrow in different history periods. His theory of novel technic used triadic method to constuct a novel form theory and aimed ＂reaityl＂ and ＂typical model＂. His theory of creation for purpose asked for a reasonable sociological analysis to real life. All these aspects formed a system of Mao Dun＇s literature thoughts.

关 键 词：茅盾 小说理论批评 现实主义 

分 类 号：I246[文学—中国文学]