后殖民语境下的中国当代影视主题刍论  

View On the Themes of Chinese Contemporary Film Art and TV in The After-colonialism Context

作　　者：王建斌[1] 张效礼[1] 

机构地区：[1]兰州大学文学院,甘肃兰州730000

出　　处：《天水师范学院学报》2007年第3期101-105,共5页Journal of Tianshui Normal University

摘　　要：当代影视创作呈现出蓬勃发展的态势。全球化趋势的推进,后殖民主义思潮的蔓延,都对当代影视主题产生了一定的影响,使其呈现出独特的面貌。当代影视主题这些特点的形成,既源于影视自身的这一内在依据,亦依存于后殖民主义语境这一外在依据。更重要的是,中国当代影视主题的建构,必将对中国影视发展产生深远的影响。The creation of Chinese contemporary film and TV takes on a look of prosperity. The motivation of globalization and spread of after-colonialism thoughts have certain effects on the themes of present films and TV to make it present a unique outlook. The formation of their features is not only on the intrinsic bases of film and television itself, but also on the extrinsic bases of after-colonialism context. More important, the establishment of the themes will inevitably have far-reaching effect on the development of Chinese film and TV.

关 键 词：后殖民语境 中国当代影视主题 影视文学 

分 类 号：J992.9[艺术—电影电视艺术]