古筝演奏技法的流变及其当今教学中的问题  

The Guzheng Performance Technique Handed Down with Transform and Its Teaching Issue Nowadays

作　　者：赵毅[1] 

机构地区：[1]武汉音乐学院民乐系

出　　处：《黄钟（武汉音乐学院学报）》2007年第2期133-139,共7页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：文章以古筝的演奏技法为切入点,以其发展过程中的流变为脉络,记述古筝在初创时期(战国时期)和繁荣时期(唐代)的演奏技法概况,辨析近代形成的古筝各流派演奏技法的文化内涵和技术特点,阐述当前古筝演奏技术训练中存在的不同观念以及个人的见解。From the point of guzheng performance technique, the paper recorded and narrated the general situation of guzheng playing skill in ancient time and its transform during the progress of developing. The writer differentiated and analyzes the cultural intension of each school with the technique features formed in modern times, he also discussed the different opinions existed in its teaching program currently, and gave his viewpoint on those issues.

关 键 词：古筝 演奏技法 流变 流派 文化内涵 教学 

分 类 号：J632.32[艺术—音乐]