点染红绿 情境自然——唐宋文人的女性审美意识  

On the Female Aesthetic Conscientiousness of Man of Letters in the Tang and Song Dynasties

作　　者：刘施宏[1] 

机构地区：[1]重庆师范大学文学与新闻学院,重庆400047

出　　处：《郧阳师范高等专科学校学报》2007年第2期29-31,共3页Journal of Yunyang Teachers College

摘　　要：“红”、“绿”色系词组在唐宋词中大量出现,词人借鉴绘画的点染手法,抒写自己的恋情、忧患意识,达到了物、情、意妙合无痕的审美境界。文章就“红”“绿”系词组在唐宋婉约词中的内涵以及所反映的唐宋文人的女性审美意识,作一个简单的探讨。There are in the poems of the Tang and Song Dynasties lot of words of red and green, by which then man of letters, in the way of sprinkling method in painting, expressed their love and suffering conscientiousness so as to achieve the perfect aesthetic bourn of object, feeling and meaning. This paper has made a research on the connotations and the female aesthetie eonseientiousness of man of letters in the Tang and Song Dynasties of words of red and green in the poems of the Tang and Song Dynasties.

关 键 词：“红”绿”系词组 唐宋词 女性意识 

分 类 号：I207.23[文学—中国文学]