音乐人文精神论  

A Study of Humanistic Spirit in Music

作　　者：张楠[1] 

机构地区：[1]辽宁师范大学音乐学院,辽宁大连116029

出　　处：《辽宁师范大学学报（社会科学版）》2007年第3期101-103,共3页Journal of Liaoning Normal University(Social Science Edition)

基　　金：大连市社会科学院基金资助项目(05DLSK075)

摘　　要：当今,中外经典作品的演出及传播越来越在积极按市场运作,以求更大的受众面和经济效益,从而造成更加明显的经典文化和大众文化对峙竞争的趋势。从音乐人文精神的建设方面看,这种做法弊大于利。此种竞争必然导致狭隘功利目的的产生,而狭隘的功利性永远是音乐人文精神的天敌。弘扬中外古典音乐精品,其目标瞄准的不仅仅是市场,要更多地指向每个人的人文情结。The performance and dissemination of Chinese and Western musical classics are being operated in terms of marketing laws so as to obtain larger audience and economic benefits, in which elite culture and mass culture stand opposite and compete with each other. In view of the development of humanistic spirit in music, this trend is disadvantageous rather than advantageous. This competition certainly leads to narrow fortune seeking, which is naturally the enemy of this spirit. The promotion of musical classics aims less at the market than at individual humanistic complex.

关 键 词：音乐人文精神 经典作品 市场 

分 类 号：J60[艺术—音乐]