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作 者:陈家洋[1]
机构地区:[1]河海大学,江苏南京210098
出 处:《江苏广播电视大学学报》2007年第2期46-49,共4页Journal of Jiangsu Radio & Television University
基 金:江苏省教育厅高校哲学社会科学基金项目(06SJB750013)
摘 要:荒野意识是师陀创作心理中的重要构成质素,它隐含着作者由厌乡之心而产生的无乡感,以及作者寻求精神家园的心理动机,此外它又与战争给知识分子带来的流亡感紧密相关。这种荒野意识渗透于师陀乡土叙事的文本中:从空间上考察,它通过“还乡—无乡”的深层结构模式间接体现;从时间上考察,它通过历史废墟边凭吊者的精神体验间接体现。The wilderness consciousness is one of major component elements of Sbi Tuo's creative mind. It contains the author's experiences from being sick of hometown and motivation to seek for the spiritual hometown. In addition, the wilderness consciousness and the experiences from going into exile in the war are closely interrelated. The wilderness consciousness infiltrates into the texts of Shituog local novels: from perspective of space, it is indirectly embodied by the deep structure model " back hometown-without hometown" ; from perspective of time, it is indirectly embodied by the spirit experiences of the man who visits and ponders on the past in front of the historical relic.
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