百年新诗三种准定型诗体的流变  

On the History of Three Kind of Quasi-set Pattern of Style of poetry of Modern Chinese Poetry during the Past 100 Years,

作　　者：王珂[1] 代绪宇[1] 

机构地区：[1]福建师范大学文学院,福建福州350007

出　　处：《南都学坛（南阳师范学院人文社会科学学报）》2007年第3期53-60,共8页Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University

摘　　要：尽管百年新诗取得了较大的成绩,但是新诗的诗体建设生态恶劣,自由化、散文化的自由诗势力过分强大,导致定型诗体及准定型诗体建设艰难。尽管新诗初期就粗略地建设起现代格律诗、长诗和小诗三种准定型诗体,以后也时时有人进行建设,却没有得到健康的发展,这些诗体不得不以起伏不定的曲折方式生存,其文体的稳定性时时受到破坏,它们作为准定型诗体的价值和诗体规范也总是受到怀疑。三种准定型诗体都出现诗体解放的现象。现在应该在已有的基础上好好建设这三种诗体,特别是加强现代格律诗的建设。现代格律诗的诗体建设重点应该在诗形上而不是在诗律上。Despite the substantial achievements of New Verse in the past 100 years, the-construction of New Verse styles is confronted with deteriorating ecological environment with the over powerful forces of free verse towards liberalization and the style of prose, hence the difficulties of constructing the set and quasi-set patterns of style. Although in the early period of New Verse development, there were three roughly quasi-set patterns of style of modem rhymed poetry, long poetry and small poetry with their further development, the healthy progress has been deficient and the patterns of style have to survive in an indirect way. Their stabilities have always been undermined and their values as norm of styles of poetry have been questioned. Now it is essential to improve the three existing patterns, esp. the modem rhymed poetry whose construction should focus on the form rather than rhyme.

关 键 词：百年新诗 准定型诗体 现代格律诗 长诗 小诗 

分 类 号：I207.22[文学—中国文学]