中国现代哲理诗概论  

A Study of Modern Chinese Philosophic Poem

作　　者：汪亚明[1] 魏一媚[2] 

机构地区：[1]浙江旅游职业学院科研处,浙江杭州311231 [2]浙江旅游职业学院基础部,浙江杭州311231

出　　处：《宁波大学学报（人文科学版）》2007年第3期11-16,共6页Journal of Ningbo University：Liberal Arts Edition

基　　金：浙江省社科规划课题(NX05WX02)

摘　　要：文章以现代诗学为研究视角,选取几位中国现代诗学史上的经典诗人诗作,从现代哲理诗的概念及诗学渊源,相对关系、辩证哲学、生死观念三大主题以及艺术传达策略三个方面,较为全面细致地梳理并概论了中国现代哲理诗的发展概貌及艺术审美特征,为中国现代诗学史的构建奠定坚实基础。From the perspectives of modem poetry this article analyses some classic poems selected from modem Chinese poems. It focuses on three subjects of relative relations, dialetical philosophy, and concepts toward life and death, and probes into the aspects of artistic taste, delivery and strategies, aiming to reproduce a full picture of the development of China＇ s modem philosophical poems and artistic traits, thus to consitute a solid base for modem Chinese poetics.

关 键 词：现代哲理诗 主题 艺术策略 

分 类 号：I207.5[文学—中国文学]