歌剧《弄臣》中序曲的使命——黎戈莱托音乐主题探析  

Mission of the Overture in Opera Rigoletto——a Study on the Music Subject of Rigoletto

作　　者：陈琼[1] 

机构地区：[1]三峡大学艺术学院,湖北宜昌443002

出　　处：《三峡大学学报（人文社会科学版）》2007年第3期94-98,共5页Journal of China Three Gorges University(Humanities & Social Sciences)

基　　金：三峡大学科研基金项目(607103)

摘　　要：自浪漫歌剧形成的时代起,歌剧序曲有着相对完整、独立性的结构,且具有预示剧种样式、显现音乐主题、提示人物形象、暗示剧情梗概四个功能。作为这一时期的歌剧杰出代表的威尔第,在这一领域内有着较高的艺术成就。从歌剧《弄臣》序曲中的音乐结构和艺术情感两个层面来分析,揭示了序曲中蕴涵的歌剧主人公黎戈莱托音乐主题“诅咒”的本质特性,从这一微小角度来显现这个主题在统筹全剧时的艺术魄力。Since the romantic opera formed, the overture of an opera has a relatively integrative and independent sturcture. It has the function of predicting the style of oprea, revealing the music subject, suggesting the image of characters and indicating the plot of the oprea. As the distinguished representative of this period, Will has a high artistic achievement in this field. This paper analyzes the two layers about the music structure and the artistic emotion in the overture of the opera Rigoletto, reveals the essential characteristics of music subject ＂curve＂ embodied in the overture of Rigoletto and at last discovers the artistic charm of the subject guiding the whole opera from such a small angle.

关 键 词：歌剧《弄臣》 序曲 黎戈莱托 音乐主题“诅咒” 

分 类 号：J617.2[艺术—音乐]