晚明戏剧的创作主题与观众审美趋向研究——以《群音类选》为中心  

On the Themes of the Plays in Late Ming Dynasty and the Audience＇s Aesthetic Tendency

作　　者：石艳梅[1] SHI Yan - mei （ Xuzhou Education College, Xuzhou 221006, China）

机构地区：[1]徐州教育学院,江苏徐州221006

出　　处：《徐州工程学院学报》2007年第5期15-18,62,共5页Journal of Xuzhou Istitute of Technology

摘　　要：《群音类选》是明代万历年间的一个重要的戏曲选本。本文试图通过对选本收录的剧曲题材内容与主题思想的分析，透视明代晚期戏曲题材创作与观众审美趋向的变迁，并探讨其形成原因。Classified Collection of Various Sounds is an important anthology of plays and operas during the Wingli Era of the Ming Dynasty. This paper attempts to make an analysis of the subject matters and central themes of the collected plays and operas in this anthology so as to get a glimpse of the changes to the themes and audience aesthetic tendencies of the plays and operas in late Ming Dynasty.

关 键 词：《群音类选》 明代剧曲 题材内容 审美趋向 

分 类 号：I207.37[文学—中国文学]