论二言体诗及其对韵文文体的开创意义  

On the Two-Character Poem and its Initiative Significance for the Poetic Style

作　　者：蒋长栋[1] 

机构地区：[1]湘潭大学文学与新闻学院,湖南湘潭411105

出　　处：《长沙理工大学学报（社会科学版）》2007年第2期112-114,共3页Journal of Changsha University of Science and Technology：Social Science

基　　金：国家社科基金项目:中国韵文文体形成与演变研究(批准号:03BZW033)

摘　　要：紧锣密鼓的韵律节奏、每句二字的简洁句式、朴素直白的辞采运用、直叙其事的章法构筑,是二言诗的主要体式特点。这一体式多反映蛮荒时代的紧张生活及人们大起大落的喜怒哀乐情感,决定了二言诗具有以阳刚美为主的体貌特点。二言诗体作为中国韵文一切体式之母,为后世韵文特别是《诗经》文体的形成与演进,奠定了用韵、句式、辞采、章法等诸多方面的起码基础。The stylistic features of two-character poems are its tight metric rhythm like drums, concise sentence pattern with only two characters, simple straight-forward usage of diction, plain narrative structure. Such form often reveals the tension of life in the Primitive Age with great emotional appeals. Thus the two-character poem presents the style of masculinity. As the mothering style for the Chinese verse, the two- character poem has laid a basic foundation in such aspects as the metric, diction and discourse for the later formation and development of the metric poetry especially in the Book of Songs.

关 键 词：二言诗 体式特点 体貌特点 开创意义 

分 类 号：I206.2[文学—中国文学]