沈阳故宫木构架中的多民族特征  

The multiracial cultural characteristic within the wood frame of the Imperial Palace of the Qing Dynasty in Shenyang

作　　者：朴玉顺[1] 陈伯超[1] 

机构地区：[1]沈阳建筑大学建筑研究所,辽宁沈阳110168

出　　处：《沈阳建筑大学学报（社会科学版）》2007年第3期257-260,共4页Journal of Shenyang Jianzhu University:Social Science

基　　金：国家自然科学基金(50678105)

摘　　要：着眼于沈阳故宫木构架营造技术中的诸多的多民族文化融合的构架体系和构造做法,指出沈阳故宫建筑吸收和传承了中原木结构建筑的营造技术,融合了满族的民族文化,借鉴蒙、藏等少数民族的建筑技术和艺术,呈现出多民族的建筑技术的特点,对于丰富以清文化为主的沈阳城市文化内容具有重要意义。This paper fixes attention on frame system and the structure modus operandi that blends construetion techniques in multiracial cultures within wood frame of the Imperial Palace of the Qing Dynasty in Shenyang. Then the article points out that the wood frame of the Imperial Palace of the Qing Dynasty in Shenyang building absorbs and inherits the construction technique of the wood structure building in the Central Plains, blends the race culture of the Manchu, draws lessons from the building technique and arts of the national minority of Mongolia and Tibet, presents the technical characteristics of multiracial building. The wood frame of the Imperial Palace of the Qing Dynasty in Shenyang plays an important role in enriching the city cultural contents of meaning of Shenyang.

关 键 词：沈阳故宫 木构架 多民族 文化 

分 类 号：TU-09[建筑科学—建筑理论]