晚清小说理论的小说本体观念  

Ontological Novel Views in the Theories of the Novels in the Late Qing Dynasty

作　　者：李兴阳[1] 

机构地区：[1]南京师范大学文学院,博士后210097

出　　处：《江苏社会科学》2007年第1期182-188,共7页Jiangsu Social Sciences

基　　金：中国博士后科学基金项目<中国现代文学社团流派小说理论批评史论>文章;项目编号20060390949;江苏省博士后科学基金项目<中国现代文学社团流派小说理论批评史论>文章;项目编号211010A55B

摘　　要：晚清小说理论在界别小说与历史小说与其它文学门类的同时,对小说的本体特征作了多层面、多角度的揭示,而以“美的制作”、“虚构性”、“繁言如画”和“近世性”等提法最有理论代表性。晚清小说理论批评对小说本体的认识,已从传统中突围出来,在对西方哲学、美学和文学思想的融会中,达到了一个新的理论境界。While defining novels, history novels and other literature, the theories of the novels in the late Qing Dynasty make a multi - sided and multi - angled revelation of the novels＇ ontological characteristics. Among these theories, the most theoretically representative are ＂production of beauty＂, ＂fiction＂, ＂picturesque languages＂ and ＂modernity＂. The ontological understanding of novel in criticism of the novels theories in the late Qing Dynasty has been broken through from the tradition, and reached a new theoretical state in the blending of western philosophy, aesthetics and literary though.

关 键 词：晚清小说理论 小说本体观念 意义 

分 类 号：I207.419[文学—中国文学]