时尚美学:感性存在的美学风格与大众向度  

Fashionable Aesthetics: Perceptually-Existed Aesthetics and Mass Diameter

作　　者：应小敏[1] 

机构地区：[1]浙江传媒学院电视艺术系,杭州310018

出　　处：《江苏行政学院学报》2007年第4期30-34,共5页The Journal of Jiangsu Administration Institute

基　　金：国家社会科学基金项目<消费时代大众文化的审美想像与哲学批判研究>(批准号:06BZX018)的阶段性成果

摘　　要：作为现代性的一种典型后果,文化时尚不知不觉地改变着人们的日常行为、视听观闻、生活态度和价值理念,甚至在更深度层面上重塑着人们的存在样态。从美学维度审量,时尚风行是基于现代人感性存在的快感体验与大众向度,是大众文化内在活力与文化市场机制外的民间智慧的体现。无信仰的繁盛与无原则的喧哗成为当今时代大众文化的普遍性样态,崇高品格的匮乏与英雄人格的稀缺成为消费时代文化被金钱和功利普遍"钙化"的综合后遗症。As a typical result of modernity, cultural fashion is unknowingly changing people＇ s daily behaviors, audio and video experiences, attitudes of life and concepts of value and even reshaping people＇ s forms of existence. Viewed from aesthetic dimension, fashion is based on the pleasure of perceptual existence of modem people and mass diameter and it is manifested by the inner vigor of popular Culture and folk wisdom outside the mechanism of cultural market. The no-belief prosperity and no-principle chaos become general forms of present popular culture while lack of lofty characters and heroic personalities is resulted from a general ＂calcification＂ by money and utility in the consumption age.

关 键 词：时尚美学 感性体验 大众向度 

分 类 号：G112[文化科学]