政治与文学:双重身份的分裂与重合——论郭沫若抗战时期的历史剧创作  

Politics and Literature:the Splitting and Coinciding of Double Status——On the Chronicle Plays of Guo Muoruo's During the Anti-Japanese War

作　　者：倪海燕[1] 

机构地区：[1]肇庆学院中文系,广东肇庆526061

出　　处：《贵州师范大学学报（社会科学版）》2007年第4期69-72,共4页Journal of Guizhou Normal University(Social Sciences)

摘　　要：抗战时期,郭沫若迎来了历史剧创作的一个高峰。为了救亡图存,他的作品具有了鲜明的政治性。这使得作品中的人物成了观念的传声筒,比较单薄和概念化。但与此同时,充溢的政治激情也使得其作品具有诗剧的特征和感染力。当政治和艺术两种身份不能协调时,作品的政治性和艺术性便出现裂痕;而当两者得到重合的时候,作品也具有了独特的审美意蕴。Guo Muoruo reached a peak of creations of chronicle plays during the Anti-Japanese War. There were some specific properties in his plays of this time because he had to consider both politics and literature influence. On one hand, the characters were always very simple and dealt in generalities, but on the other hand, the passion with politics made his works very touched. How to balance the relations of politics and literature is very important for his works, which also gives us some revelations in literature.

关 键 词：郭沫若 政治文学 历史剧 历史诗剧 

分 类 号：I206[文学—中国文学]