论刘勰写作文化遗产的辩证观——《正纬》、《辨骚》二篇试解  

On the Dialectical Viewpoints of Cultural Heritages in Liuxie's Writing Interpreted in His Two Works

作　　者：莫恒全[1] 谢其祥[1] 

机构地区：[1]广西师范学院学报编辑部,广西南宁530001

出　　处：《钦州学院学报》2007年第4期27-31,共5页Journal of Qinzhou University

基　　金：广西教育厅立项科研项目(2005505158)

摘　　要：《正纬》、《辨骚》二篇是在《宗经》、《征圣》的基础上,全面深入阐述了对待古代写作文化遗产加以继承和革新的问题。"酌奇而不失其贞,玩华而不坠其实"是《正纬》、《辨骚》二篇所共同阐述的核心理论问题,它集中体现了刘勰对于古代写作文化遗产继承与革新的辩证观。这一理论主张同《宗经》、《征圣》二篇所提倡的理论观点一样,在《文心雕龙》的整个理论体系中都具有纲领性的作用。Liuxie, as the authority of writing in Jin Dynasty, had demonstrated the issues of how to treat the succession and innovation of the ancient writing cultural heritages fully and deeply in his classical works based on his former relevant works. With the focal theoretical issues of “tend to seek uniqueness without losing its chastity, learn to grasp elegance without ignoring its truth” in his well - known works, Liuxie had presented his dialectical viewpoints of how to success and innovate the ancient writing cultural heritages in a central perspective, which was the same theory as that advocated in his former works and functioned as the guideline in the whole theoretical system in Carving A Dragon At The Core Of Literature.

关 键 词：刘勰 文心雕龙 古代文化遗产 继承和革新 

分 类 号：I206.2[文学—中国文学]