简·爱与伯莎·梅森:寻求“自我”的“他者”悲歌  

A Comparative Study of Jane Eyre and Bosha Meisen

作　　者：王文惠[1] 项军平[1] 

机构地区：[1]湖北师范学院公共外语部,湖北黄石435002

出　　处：《海南师范大学学报（社会科学版）》2007年第3期112-115,共4页Journal of Hainan Normal University(Social Sciences)

基　　金：湖北省教育厅思政处2007年人文社会科学研究项目"英美现当代女权主义文学作品研究"(项目编号:2007Q049)的阶段性研究成果

摘　　要：19世纪英国女性作家夏洛蒂.勃朗特的代表作《简.爱》塑造了两个性格、命运决然不同的女主人公:简.爱与伯莎.梅森。简.爱追求独立与自我实现,最终被男权中心话语所控制,成为了"家里的天使"。伯莎.梅森勇于挑战男权中心话语,追求与男性平等的女性自我,却没逃脱被男权所迫害的命运,并付出了生命的代价。简.爱与伯莎.梅森的抗争与无奈是女性同胞所共同承受的命运,她们都脱离不了不平等与男性的"他者"境况。In her masterpiece Jane Eyre, Charlotte Bronte, a female novelist in the 19th-century Britain, delineated two female protagonists of diverse character and destiny： Jane Eyre and Bosha Meison. While Jane Eyre was in pursuit of independence and self-realization, she could not go beyond the control of man-dominated discourse and became an “angel in the family” whereas Bosha Meison dared to challenge the man-dominated discourse and endeavored to pursue equality with males, but she could not avoid being persecuted by the male power and virtually lost her life. The rebellion and helplessness of Jane Eyre and Bosha Meison is the fate shared by all females, for they cannot avoid inequality and the condition of being “inferior” to males.

关 键 词：“家里的天使” 他者 自我 

分 类 号：I312[文学—其他各国文学]