浅谈“六法”与历代画论之间的关系  

Humble Discussion of the Relationship between Six Methods and all the Generations of Drawing Theories

作　　者：刘国亮[1] 

机构地区：[1]佳木斯大学美术学院,黑龙江佳木斯154007

出　　处：《佳木斯大学社会科学学报》2007年第3期147-148,共2页Journal of Social Science of Jiamusi University

摘　　要：文章根据南齐人物画家谢赫所提出的古代文学艺术理论——“六法”,简述“六法”的出处、历史地位、具体含义、应用及“六法”之间的关系等论证了历史上许多以“六法”为绘画创作及评论准则的理论是对“六法”的充实、完善和发展。The article js based on the ancient literary artistic theory Six Methods, by Xie he, a figure painter in South Qi. It simply states the origin, historical status, exact meaning and applicantion of Six Methods and the relationships among the Six Methods. All the efforts made are to demonstrate that many theories that take Six Methods as principle of drawing creation and discussion are complement, perfection and development of Six Methods themselves.

关 键 词：'六法' 历代画论 中国绘画 

分 类 号：J20[艺术—美术]