里盖蒂《为十三位演奏家而作室内协奏曲》音流透视  

On Transonic Potential Flow in Ligeti's Chamber Concerto

作　　者：昌英忠[1] 

机构地区：[1]四川音乐学院作曲系,四川成都610021

出　　处：《音乐探索》2007年第3期10-17,共8页Explorations in Music

摘　　要：音流是20世纪音乐中相对于传统的无旋律无节拍的一种音响构成现象,它包含了最初创作思维的音响结构和实现这些结构的各种作曲技术参数。反过来说这两种的结果构成了作品当中的音流现象。里盖蒂作为20世纪新音乐中重要的人物之一,其作品当中追求新音响、新音色是他重要的特征之处,仅以微复调、音块概念难以概括。应当说他的许多作品是以微复调和其它技术指标的综合参数构成的音响流。Transonic potential flow is an acoustic phenomenon in music, which opposites to traditional acoustic without melody and tempo. It includes the initial acoustic structure and technique parameters. In 20tb century , Ligeti , who was one of the most significant person in music o His works were characteristic of new acoustics and new tone color and couldnt be summarized by the conception of micro - polyphony and sound block. In this article , the author analyzes the transonic potential flow in Ligeti＇s chamber concerto , in hopes of providing composers with some help.

关 键 词：里盖蒂 音流 音块 流控制 音流模型 音高材料 音高密度 

分 类 号：J605[艺术—音乐]