四萧文学群体与梁代诗风之变  

The Xiao’s Literary Group and the Change of Poetic Style in the Liang Dynasty

作　　者：林家骊[1] 陶琳[1] 

机构地区：[1]浙江大学中国语言文学系,浙江杭州310028

出　　处：《浙江大学学报（人文社会科学版）》2007年第5期152-160,共9页Journal of Zhejiang University:Humanities and Social Sciences

基　　金：国家社会科学基金资助项目(04BZW019);教育部人文社会科学专项基金资助项目(01JD750.11-44002)

摘　　要：由萧衍和萧统、萧纲、萧绎父子组成的四萧文学群体,其发展大致经历了以萧衍为首的发轫期、萧统为首的成长期,以及以萧纲、萧绎联袂为首的成熟期。纵观这一嬗变过程,前后将近五十年,几乎贯穿有梁一代的始终。由于"四萧"各自文学倾向的不同,使得这一文学群体中占据主导地位的文学主张,也随着领军人物的转换而相应发生"崇尚古典——主张通变——追求新变"的改变。同时,"四萧"又凭借他们的强势政治地位及优秀文学才能,各自组织了以自己为核心的文人集团,展开各种文学活动,从而得以引领整个梁代诗风经历了"古雅清丽——雍容典丽——华艳绮丽"的转变过程。因此,四萧文学群体是梁代文学史上最具影响力的文学组织,应当予以充分重视并深入研究。The Xiao＇s literary group, consisting of the father Xiao Yan and his sons Xiao Tong, Xiao Gang and Xiao Yi, underwent three periods of development： the initial period represented by Xiao Yan, the growth period represented by Xiao Tong, and the maturity period represented by both Xiao Gang and Xiao Yi. The whole of three periods lasted for nearly fifty years during the Liang dynasty （502-557）. Because of different literary tendencies of four Xiaos, the dominant literary views of the group changed with the change of each representative： from advocating classicism to inheriting the tradition and making alterations and then to seeking new changes. At the same time, relying on their strong political position and literary talents, they each organized literary groups with themselves as the core, carrying out all kinds of literary activities, which led to a transformational period from being classical and elegant to being natural and graceful and finally to being ornate and vivid in terms of the poetic style during the Liang dynasty. Therefore, the Xiao＇s group is the most influential literary organization in the literary history of the Liang dynasty, which is worthy of attention and in-depth research.

关 键 词：四萧文学群体 诗风 古雅清丽 雍容典丽 华艳绮丽 

分 类 号：I206.2[文学—中国文学]