解读服装设计共生美学观  

Comprehension of the symbiosis esthetics in costume design

作　　者：崔荣荣[1] 高卫东[1] 

机构地区：[1]江南大学纺织服装学院,江苏无锡214122

出　　处：《纺织学报》2007年第9期103-106,共4页Journal of Textile Research

基　　金：江苏省社会科学基金资助项目(06JSBYS005)

摘　　要：介绍共生方法理论的起源和发展,分析共生美学的内涵特征是客观、科学和辨证的。服装设计共生美学观的核心理念是把辨证法和唯物主义观点用于服装设计美学,是对服装文化和历史的继承与创新,历史与未来、民族文化与外来文化的互融,是科学与艺术等对立面的统一与共生,其表现性和再现性、艺术性和技术性以及品调性等方面的辨证互动共融的共生美学构成特性是现代服装设计美学的理论精髓,对现代服装设计具有很好的指导意义。This paper introduces the origin and development of ＂symbiosis method＂ theories, and analyzes the characteristic of ＂symbiosis esthetics＂ which is objective, scientific and dialectics. The essence of symbiosis esthetics in garment design is to apply dialectic and materialism to garment design esthetics. This process is the inheritance and innovation to the garment culture and history. It＇s not only a syncretism of history and future, folk and exotic culture, but also unification and commensalism of science and art. The characters of ＂symbiosis esthetics＂ such as performance, reappearance, artistic or technical creativeness etc. are the essence of modem garment design, with great reality value and instruction meaning to the modem garment design.

关 键 词：服装设计 美学观 共生理论 构成内容 

分 类 号：TS941.1[轻工技术与工程—服装设计与工程]