社会史视野下的评弹文化变迁  

Changes in Pingtan Culture From the Viewpoint of Social History

作　　者：申浩[1] 

机构地区：[1]上海师范大学跨学科研究中心,上海200234

出　　处：《上海师范大学学报（哲学社会科学版）》2007年第5期73-78,共6页Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)

基　　金：上海市哲社一般项目(2006BLS006)

摘　　要：评弹是一种流行于江浙一带由评话和弹词结合而成的曲艺。从社会史的视野看,评弹生长于苏州,与传统时代的江南社会生活密切关联。晚清以后上海开埠,评弹逐渐进入上海,伴随着上海城市的转型,评弹也开始了其近代转型,由古代评弹向近代都市评弹转变。从苏州到上海,评弹的演出空间在江南的内部发生了迁移,这种迁移是有深刻意义的,它是近世江南社会变迁在文化上的反映和结果,成为传统文化向近代都市文化转换的见证。Pingtan is a type of storytelling and ballad singing in Suzhou dialect with a special feature typical of the regions south of the Yangtze River. Seen from the viewpoint of social history, Pingtan, which was born and nurtured in Suzhou, is closely related to the social life south of the Yangtze River in the traditional age. In the late Qing Dynasty, Pingtan gradually entered Shanghai, which emerged as a port. Along with changes in Shanghai, Pingtan likewise began its modern transformation, experiencing changes from ancient Pingtan to modern Pingtan in the contemporary metropolis. As it moved from Suzhou to Shanghai, shifts occurred in the performing space of Pingtan in the region south of the Yangtze River. Such shifts are of profound significance, for they reflect the effects of social changes in the region upon its culture and become eyewitnesses of the traditional culture turning into contemporary metropolitan culture.

关 键 词：社会史 江南文化 上海文化 地域文化 评弹 

分 类 号：K203[历史地理—历史学]