论美国励志体育电影风行的意识形态性  

On the Ideology of the Popular American Self-driven Sport Films

作　　者：黄璐[1] 兰健[1] 刘颖[1] 郭超[1] 

机构地区：[1]河北理工大学体育部,河北唐山063009

出　　处：《体育科学研究》2007年第3期17-20,共4页Sports Science Research

摘　　要：明确体育电影意识形态研究的意义,梳理80年代以来美国体育电影发展脉络,分析美国励志体育电影风行原因及价值取向在于"励志、喜剧、生活"模式,结合实例探讨美国体育电影意识形态发展演变过程,认为美国励志体育电影的风行表征出文化意识形态弱化的发展趋势和复归纯粹艺术的社会冲动,二者互补带来资本政体意识形态对外扩张新变化。最后,结合实际提出中国体育电影意识形态的防御方向。The significance of doing research on the ideology of sport films is specified, the development of sport films in America since the 1980s is distinguished, and the popularity of American sport films is found lying in its value orientation ＂self-drlven, comic and life-focused＂. An example is cited to discuss the evolution of decrease in culture ideology which is indicated by its popularity and its impulsion of reverting to pure art is figured out. The interaction of these two aspects has brought the new expansion of ideology of the capitalistic government. Finally, the defensive direction of ideology of China＇s sport films is put forward .

关 键 词：体育传播学 体育电影 意识形态 美国 

分 类 号：G80-05[文化科学—运动人体科学]