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作 者:邓昭祺[1]
机构地区:[1]香港大学
出 处:《忻州师范学院学报》2007年第4期4-7,共4页Journal of Xinzhou Teachers University
摘 要:我国古代文学理论批评中,有一个独特的现象,就是以"味"论诗。以味论词,始于金代元好问。元氏在《遗山自题乐府》中举出黄庭坚的《渔夫词》和陈与义的两首《临江仙》,作为有味词的代表作。文章分析了这三首词后,认为元氏所谓"词味",指的是含蓄委婉地包含在词中的深层意思。In the realm of the theories of literary criticism of ancient China,there was a particular theory using "taste" to criticize poetry. It was Yuan Hao - wen of the Jin period who started to employ this tool to appraise ci poetry. He used one ci written by Huang Ting - jian and two ci written by Chen Yu - yi as representatives of ci possessing "taste". Mter analyzing these three examples, the author of this paper concluded that Yuan Hao -wen' s theory of "the taste of ci poetry" actually meant the deeper implications of the compositions.
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