土族情歌与“少年”音乐风格比较研究  

A Comparison Research of the Musical Style Between Love Songs Tu and Hua'er

作　　者：叱培虹[1] 马占山 

机构地区：[1]青海师范大学音乐系 [2]青海省音协,青海西宁810008

出　　处：《青海师范大学学报（哲学社会科学版）》2007年第5期101-103,共3页Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)

摘　　要：土族情歌与少年(花儿)是土族野曲中的主要曲目和组成部分,从歌词的结构上看,情歌的歌词和少年的歌词属两种不同格律的歌词形式,情歌是纯粹的土族语歌曲,而少年是用汉语叙唱的歌种。在音乐风格诸如旋法、调式、曲式结构、节奏等方面和现代少年又有着千丝万缕的联系,尤其表现手法上的下滑音行腔以及华彩型节奏与长音连在一起的运用现象,都是少年曲调中普遍的处理手段。本文主要从歌词及旋律特征上对土族情歌与少年作一比较。Love songs of Tu and Hua＇ er are the main songs and component part of to songs the words of love songs, and Hua＇ er are quite different in rules and forms of classical poetic composition. Love songs are pure songs sung in Tu language meanwhile Hua＇ er is pure songs sung in Chinese. However, they have close relations in the musical style, such as melody, tone, composition of musical form and rhythm, especially in technique of expression, which is the general applying method of Hua＇ er . It combines falling tune and splendid rhythm and long scale. This paper attempts to make a comparison between love songs of Tu and Hua＇ er on features of words of the song and melody.

关 键 词：土族民歌 情歌 “少年” 唱词 旋律结构 

分 类 号：J607[艺术—音乐]