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作 者:左芝兰[1]
机构地区:[1]四川音乐学院戏剧影视文学系,四川成都610021
出 处:《晋中学院学报》2007年第5期34-37,共4页Journal of Jinzhong University
摘 要:由于《西游记》在明清时代被普遍认为是一部表现三教归一思想的、具有深奥哲理的小说,同时兼具对人心与世道的讽刺,故而明末至清初现存《西游记》续书——《续西游记》、《西游补》、《后西游记》均在阐述哲理上大下功夫,并结合续作者所处的时代,大量甚至是通篇运用象征和隐喻的手法,为西游故事的继续开辟了多维的走向和新的发展态势。In the Ming and Qing Dynasties, Journey to the West was widely considered as a philosophic and sarcastic novel which describes the idea of taking three religions as a whole, so the sequels of Journey to the West came to the world from the end of the Ming Dynasty to the beginning of the Qing Dynasty, mainly expounding philosophic theories. Taking their times into comideration, the authors adopted the symbolism and metaphors in great percentage even the whole of the sequels, which opened up the multi dimensional courses as well as new developing situation for the continuance of Journey to the West.
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