废名与中国现代趣味主义文学思潮  

Fei Ming and Modern Chinese Taste-oriented Literary Trend

作　　者：赵海彦[1] 

机构地区：[1]洛阳师范学院,河南洛阳471022

出　　处：《中国文学研究》2007年第4期77-80,共4页Research of Chinese Literature

基　　金：2005年度河南省社科规划项目"1917-1966:中国新文学严肃与轻松的不对称演进"一个阶段性成果;该项目批准号为2005FWX007

摘　　要：早期不无"激烈"思想的废名因对五四"科学主义"的误读和革命的恐惧,在周作人等的引导下愈益显示出颓废的色彩;废名的颓废人生观因始终执着于人生本体论追问及"人生如梦"、"自由"等的新解表面上具有积极的成份,但实质上乃是饰以科学色彩的主观唯心主义的完全沉溺,具有超越周作人等的颓废性;与周作人、俞平伯等文学趣味主义者的颓废有余、唯美不足相比,废名始终执着于"美丽"文章的雕琢,煞费苦心地进行"梦"的培植与释放,并最终以其独有的"废名式"语言狂欢融入中国现代趣味主义文学思潮聊以消遣的整体追求之中。Misunderstanding and fearing the scientism of May 4 period, Fei Ming, with an “radical” thought at early time, becomes more and more decadent, especially under the influences of Zhou Zuoren and others. His decadent thought seems posi- tive because of his devotion to exploring the life itself and the new understanding of ideas ： life like a dream, liberty, etc. , but in fact, he indulges in subjective idealism decorated with scientism and transcends Zhou Zuoren and others＇ decadence. Unlike writers with taste - oriented literary inclination such as Zhou Zuoren and Yu Pingbo who seek more decadence than aestheticism, Fei Ming sticks to writing in an ornate style all the time, spares no effort to cultivate “dream” and then release it, and at last melts into the pursuit of taste - oriented literature in the Fei Ming style ＇ s writing.

关 键 词：废名 颓废主义 梦 趣味主义 

分 类 号：I206[文学—中国文学]