吕蓓卡：颠覆父权中心文化的“新女性”——解读达夫妮·杜穆里埃的《蝴蝶梦》  

Rebecca： A new female defying patriarchy——An interpretation of Daphne du Maurier＇s Rebecca

作　　者：康建明[1] 胡光华[1] 

机构地区：[1]郑州大学外语学院,河南郑州450001

出　　处：《US-China Foreign Language》2007年第10期1-3,13,共4页美中外语（英文版）

摘　　要：吕蓓卡是杜穆里埃在《蝴蝶梦》中刻意塑造的颠覆父权中心文化的“新女性”。本文试图从几个方面来分析解读作者适一用意：表面上桀驽不驯、生活放荡的吕蓓卡实际上是作者有意刻画的颠覆男性统治地位的典型代表，是杜穆里埃眼里美丽的天使。是父权制婚姻的叛逆。作者杜穆裹埃让她虽死犹生，依然左右着整个曼陀丽庄园，赋予吕蓓卡比活人更旺盛蓬勃的生命力。由此得出，作者是在借助文学形式，赞扬吕蓓卡身上所表现出的女性意识、独立性和敢于反抗男权的勇气。Rebecca is a ＂new female＂ defying patriarchy in du Maurier＇s Rebecca. This paper attempts to interpret du Maurier＇s intention of creating such a heroine in the following aspects： Rebecca, a seemingly indecent and arrogant woman, is actually emphasized as a ＂new female＂ defying patriarchy; she is an angel; a rebel against marriage in the patriarchal society. In the book, du Maurier gives Rebecca far more dynamic vitality than any living characters. Daphne du Maurier, by means of literary form, intentionally glorifies Rebecca＇s feminist consciousness, her independence from men and courage against the man-dominated society.

关 键 词：达夫妮·杜穆裹埃 吕蓓卡 颠覆父权中心文化 新女性 

分 类 号：I106[文学—世界文学]