论莫扎特《D大调钢琴奏鸣曲》(K.576)第三乐章的结构特色及表演艺术  

On the Structural Features of the 3^(rd) Movement in Mozart Piano Sonata in D Major,K.576

作　　者：李柯[1] 

机构地区：[1]武汉音乐学院钢琴系

出　　处：《黄钟（武汉音乐学院学报）》2007年第4期114-118,共5页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：莫扎特是古典主义全盛时期的代表人物,他的钢琴作品被公认是几乎所有作曲家的作品之中最难弹的,而这主要体现在对其作品风格的正确把握上。文章试图从曲式结构和音乐表现这两个方面对莫扎特钢琴奏鸣曲中的绝笔之作K.576第三乐章进行探讨,力求从理性到感性、从内在到外在对作品进行系统地剖析。Wolfgang Amadeus Mozart （1756-1791） is a well--known exponent of a golden era of the Classicalism, and his piano work is recognized as the most difficult performance in all of the composers. The main problem is to grasp the style correctly. The article discussed the 3rdmovement of Mozart last work Piano Sonata in D Major, K. 576 from two aspects： the music form structure and music representation. The writer tried to analyze the piano work systematically from the rationality to sensibility, from immanency to externality.

关 键 词：莫扎特 结构特色 表演艺术 度 

分 类 号：J624.1[艺术—音乐]