再估“先锋”:对“存在”的颠覆——存在主义文学与中国先锋小说比较研究  

"Avant-garde" Reassessed: Subversion of "Existence"——A Comparative Study of Existentialism Literature and Chinese Avant-garde Novel

作　　者：王玉琴[1] 

机构地区：[1]南京大学中文系,江苏南京210000

出　　处：《盐城师范学院学报（人文社会科学版）》2007年第5期44-50,共7页Journal of Yancheng Teachers University（Humanities & Social Sciences Edition)

摘　　要：从平行研究视角出发,中国先锋小说在接受存在主义文学思想影响下产生明显变异,具体表现为:存在主义文学和现实政治密切相关,持"介入观",是置身于真实中的虚构。先锋小说远离现实政治,从虚构中假想真实,"边缘性"特征突出;存在主义文学更多的是在"荒诞"中体现悲剧精神和人道情怀,先锋小说是通过"悲剧"来体现荒诞意识和死亡意识;存在主义文学因与现实的亲缘性关系而具有一定的渗透性、对话性特征,影响"跨世纪"。中国先锋小说是在中国现代化进程中产生的,个人性、独白性特征明显,只有"阶段性"影响,文学渐渐失去了轰动效应。Chinese avant--garde novels witnessed significant changes under the influence of the Existentialism literature. The Existentialism literature is closely connected with the politics while avant--garde novels stay away from the politics; Existentialisrn presents the spirit of tragedy and humanism through ＂grotesque＂ whereas avant garde presents the consciousness of grotesque and death through ＂tragedy＂. Existentialism＇s influence is globally pervasive due to its connection with the reality, while Chinese avant--garde novels＇ influence is temporal clue to individual and monologue characteristics.

关 键 词：介入观 边缘性 荒诞 悲剧 存在主义丈学 先锋小说 

分 类 号：I207.42[文学—中国文学]