“归来”作家的苦难叙事与自我认同  

Narration of Misery and Self-identification of the Writers Resuming Writing after Recovering from the Anti-Rightists Movement and the Great Cultural Revolution

作　　者：胡军[1] 

机构地区：[1]湖南工业大学师专校区中文系,湖南株洲412007

出　　处：《株洲师范高等专科学校学报》2007年第6期22-25,共4页Journal of Zhuzhou Teachers College

摘　　要：新时期“伤痕”、“反思”小说的苦难叙事与其自我认同有着深刻的关系。虽然“归来”作家揭示了中国几十年来的政治运动对人的精神与肉体的迫害摧残，但他们的用心显然在于刻意强调自我无怨无悔的忠诚。在新时期之初，这正是知识分子获得历史主体地位的必要前提。但这也意味着知识分子放弃了对苦难、历史必要的追问，复杂的民族国家历史、个人情感记忆就此被简化，被悄悄重构。The narration of misery in trauma novels is closely connected with the writers＇self-identification. The writers resuming writing after recovering from the Anti-Rightists Movement and the Great Cultural Revolution have exposed the mental and physical peroecution of Ghina＇s political campaign on people, but their intention is to emphasize their loyalty to the Party and their motherland, which is an essential premise for the intellectuals to gain a historical subject position. In this process, the intellectuals give up detailed inquiries about miseries and history and the nation＇s complicated history and individual memory are simplified and reconstructed.

关 键 词：“归来”作家 苦难叙事 自我认同 话语与权利 

分 类 号：I206[文学—中国文学]