贾平凹当代中国文学高度问题的思考——基于史识视域与史学格局的建构  

JIA Ping-wa and Contemporary Chinese Literature

作　　者：冯肖华[1] 

机构地区：[1]宝鸡文理学院中文系,陕西宝鸡721013

出　　处：《兰州大学学报（社会科学版）》2007年第4期37-48,共12页Journal of Lanzhou University（Social Sciences）

基　　金：国家哲学社会科学规划项目(05XZ008)资助。

摘　　要：在当代中国文学领域,贾平凹以其殷实足量的作品和超透支写作姿态,不仅赢得了自身应有的文学席位,与此同时也为20世纪后中国文学新的生长点的繁荣、鲜活倍增了无限的厚重质彩。因此,基于世纪文学史识视域和史学格局的建构,就有必要思考贾平凹当代中国文学高度问题。笔者以为其话题涵旨有三:一是不可逾越的"贾平凹文学事实"——30年文学书写与160部书的置换关系,一代不断前行的富有绿色生命意识的文学独行侠。二是不懈激活文坛的"贾平凹文学现象"——创作数量与文学史精神的始终暗合,创作质量与艺术至境的长效撞击和通达,一种关注民生的大境界正气写作。三是原在的杂学艺术观与文本潜在的文化学图式——"五大文化系脉"、"六大文化层面"的美学典本。这些是贾平凹先于他者,高于他者,引领文学的珍品别裁,是他确立当代中国文学高度的支撑所在。The author holds that JIA Ping-wa, with its substantial body of writings, stands at the top of contemporary Chinese literature, and meanwhile heralds its prosperity in the following century. A new approach is thus necessary to measure the literary height of his achievement： firstly, his 30 years of writing practice and over 160 books constitute a phenomenon in modern Chinese literature; secondly, the so-called JIA Ping-wa Phenomenon has activated many waves of literary inspiration; and thirdly, his concept of arts of various forms as a unity and the underlying cultural schema lay a sound foundation for his creation.

关 键 词：贾平凹 文学事实 文学现象 杂学艺术观 文化学图式 文学高度 

分 类 号：I206.7[文学—中国文学]