儒道互补于和谐:以《时运》、《游斜川》为例  

Mutual Complementary Aesthetics of Confucianism and Taoism in Harmony:A Case Study of Shiyun and Travels in Xiechuan

作　　者：高文[1] 

机构地区：[1]湖南工业大学中文系,湖南株洲412007

出　　处：《中南林业科技大学学报（社会科学版）》2007年第3期18-21,共4页Journal of Central South University of Forestry & Technology（Social Sciences）

基　　金：湖南省社会科学基金课题(课题编号:05YB139)

摘　　要：儒、道美学思想对中国封建士大夫知识分子都产生了重要的影响,并相互渗透补充,而和谐则是两者互补的焦点。陶渊明慕儒法道,并行不悖,把和谐的理想注入《时运》、《游斜川》之中。透视《时运》可知渊明之志与曾点之志的同一;而《游斜川》则是一首进入人生化境的和谐畅想曲。Both Confucianism and Taoism aesthetics has played an important interwoven role in the previous Chinese literati＇s life. Just like others Tao Yuanming who admired Confucians, followed Lao Zi and Zhuang Zi＇s suit and took in their essence placed his noble ideal into his works Shiyun and Travels in Xiechuan; the former shows some common points between Tao Yuanming and Zeng Dian and the latter is a harmonious melody of life.

关 键 词：儒道互补 和谐 《时运》 《游斜川》 

分 类 号：I206.2[文学—中国文学]